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  1. 4 de feb. de 2016 · Alemania, 1943. Nueva Objetividad. Fiestas. Título original: Triptychen Karneval. Museo: Universidad de Iowa, Iowa (Estados Unidos) Técnica: Óleo (Panel central 190 x 104 cm. Paneles laterales: 175 x 104 cm.) Escrito por: Miguel Calvo Santos. Max Beckmann y otro de sus característicos trípticos.

  2. German painter Max Beckmann created the triptych painting “Carnival” in 1942-1943 while in exile in Amsterdam. Measuring 75 x 33 9/16 inches and executed with oil on linen canvas, the artwork was initially titled “Adam und Eva” before being known as “Carnival in Amsterdam.”

  3. In 1942 and 1943 Max Beckmann painted another of his triptychs while in exile in Amsterdam: Carnival, also referred to as “Carnival in Amsterdam” in his list of pictures and initially titled Adam und Eva in his diaries.

  4. Max Beckmann's Carnival Triptych Despite the many recent inquiries into the art of Max Beckmann, much in his work-particularly the highly personalized symbolism-remains intriguingly elu-sive. The nine triptychs' which individually and as a group may be regarded as his major philosophic and artistic statements, have received much critical atten-

  5. 9 de mar. de 2015 · The nine triptychs 1 which individually and as a group may be regarded as his major philosophic and artistic statements, have received much critical attention. 2 But there is one notable exception, the Carnival triptych executed in Amsterdam in 1943 and now owned by the State University of Iowa.

  6. Muro del muelle De lo invisible en lo visible 1938 Muerte La muerte patas arriba. 1943 Tríptico del Carnaval El carnaval son disfraces, máscaras y apariencia, un desfile de engaños que es un símbolo de la vida misma. 1950 Mujer con mandolina en amarillo y rojo Una nueva versión de Leda y el cisne

  7. 30 de dic. de 2015 · Con ese estilo crudo, provocativo y muy satírico, el artista muestra aquí el retrato de la beautiful people de París, celebrando una fiesta en vísperas del Tercer Reich. Aunque todo es elegante y civilizado, se respira uno de esos espacios comprimidos propios de Beckmann, se siente claustrofobia.