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Adulthood, The Ten Largest, No 5-8, Group IV, 1907. Hilma af Klint. Runtime: 02:07. Narrator: The four paintings with a purple background represent the different phases of adult life. The pink flower that is uppermost in the first of these paintings has five petals.
'The Ten Largest, Nº 5, Adulthood, Group IV' En 1908, Hilma se tomó un descanso de cuatro años para cuidar a su madre, que se había quedado ciega. En 1912 retomó ‘Los cuadros para el templo’, obra que terminó en 1915.
Hilma af Klint 'Group IV, The ten largest, no 5, adulthood' 1907. Courtesy of the Hilma af Klint Foundation, HaK106. Photo: The Moderna Museet, Stockholm, Sweden
15 de oct. de 2018 · Then came “The Ten Largest” (1907), a sensational suite of immense works in tempera on paper glued to canvas. Each measures more or less ten and a half feet high by nearly eight feet wide.
La serie de «Los Diez Más Grandes» (o «Los Diez Mayores») son las obras más ambiciosas de Hilma af Klint. Son estudios sublimes, abstractos y monumentales sobre la vida humana, representando el paso de la niñez hasta la vejez.
The sheer size of “The Ten Largest” sets them apart from the artist’s other works. In a gigantic 3.28×2.40 metre format, Hilma af Klint celebrates the four ages of humanity: Childhood, Youth, Adulthood and Old Age.
'The Ten Largest, Nº 5, Adulthood, Group IV' In 1908, Hilma took a four-year break to look after her mother, who had become blind. In 1912, she picked up her ‘ Paintings for the Temple ’ again and completed them in 1915.
