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In his "Protractor" series (1967–9, with additional works until 1971), Frank Stella introduced the arcs and curves that can be created with a protractor, but also the straight edges as well. Notice in his paintings how the straight lines provide a framework or stabilizing structure for the curves.
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13 de may. de 2024 · Stella expanded his use of color in the Protractor series (1967–71), an influential group of paintings marked by intersecting geometric and curvilinear shapes and plays of vivid and harmonious colors, some of which were fluorescent. Stella’s next decade opened with a survey of his work at MoMA (1970).
“Protractor, Variation I” by Frank Stella is an acrylic and graphite painting on canvas at the Pérez Art Museum Miami. Created in 1969, the painting is 16 feet wide by 8 feet tall, and is composed of rhythmic bands of color in the shape of a protractor.
Frank Stella reveals how a simple measuring tool aided him in creating his |Protractor| series.
Frank Philip Stella (May 12, 1936 – May 4, 2024) was an American painter, sculptor, and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. He lived and worked in New York City for much of his career before moving his studio to Rock Tavern, New York.
Named after the common mathematical tool, the Protractor series (1967–71) was inspired by the circular-plan towns that Stella encountered during his travels in Western Asia, particularly the arches and decorative patterns he admired in Iranian art and architecture.
17 de jul. de 2019 · Stella’s paintings from his Protractor series (1967–71), including Hiragla Variation I, are based on the instrument used for measuring and drawing angles. Hiragla Variation I ’s intricate composition consists of interwoven bands of bright colors that form semicircles and squares.
