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Woman I is the first in the group of Woman paintings that de Kooning began in 1950. The works are influenced by sources ranging from Paleolithic fertility fetishes to American billboard advertisements, and the attributes of this particular figure seem to include both the vengeful power of the goddess and the hollow seductiveness of the calendar ...
- XXVth Anniversary Exhibition
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- XXVth Anniversary Exhibition
An amalgam of female archetypes, from a Paleolithic fertility goddess to a 1950s pinup girl, her threatening gaze and ferocious grin are heightened by de Kooning's aggressive brushwork and intensely colored palette. De Kooning took an unusually long time to create Woman, I, making numerous preliminary studies and repainting the work repeatedly.
4 de abr. de 2013 · Woman I de William de Kooning. Esta obra la realizó William de Kooning entre los años 1950 y 1952, y en la actualidad está expuesta en el Museum of Modern Art de Nueva York, más conocido con el acrónimo MoMA. En ella se puede ver uno de los temas predilectos de este artista, que no es otro que la figura femenina, generalmente representada ...
Between 1950 and 1953, de Kooning made the series for which he is best known, the Women, and this painting from approximately 1952 is a fine example of the subject. The small scale of this painting on paper belies both the potency of the iconic image and the dramatic dynamism of the vigorous, gestural brushwork.
Woman I is an 1950 Abstract Expressionist painting by American artist Willem de Kooning. The work is in the collection of the Museum of Modern Art, in New York. [1] History. Willem de Kooning painted Woman I over two years, from 1950 to 1952. He executed numerous preliminary studies before beginning the painting, starting over several times.
Title: Woman, I. Artist: Willem de Kooning (American (born The Netherlands), Rotterdam 1904–1997 East Hampton, New York) Date: 1950–1952. Medium: Oil on canvas. Dimensions: 75 7/8 × 58 in. (192.7 × 147.3 cm) Classification: Paintings. Credit Line: The Museum of Modern Art, New York. Purchase, 1953. Accession Number: SL.6.2016.64.2
landscape, shown at The Museum of Modern Art in 1950, was crucial to de Kooning’s handling of paint in the Woman series was confirmed by de Kooning himself. Beyond such direct testi-mony, it might also be noted how closely the hands of Woman, II resemble those in Soutine’s Woman in Red (fig. 7). De Kooning spent more concentrated effort on ...
