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  1. 25 de abr. de 2011 · From Pauline Kael's 1974 New Yorker review. Reprinted with permission from the New Yorker.. Introducing himself to a delicate, fine-boned parisienne, the farm-boy hero of Louis Malle’s new movie does not give his name as Lucien Lacombe; he gives th

  2. 19 de jun. de 2019 · The Pauline Kael Centennial | Current | The Criterion Collection. By David Hudson. The Daily — Jun 19, 2019. Share. Pauline Kael. T he best way to celebrate the one hundredth anniversary of the birth of Pauline Kael, one of the most influential film critics in the short history of cinema, is, of course, to read her work.

  3. Last Tango in Paris | Current | The Criterion Collection. By Pauline Kael. Jan 28, 1991. The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael.

  4. 27 de sept. de 2016 · 'The Age of Movies: Selected Writings of Pauline Kael' provides a comprehensive collection of Kael's writing selected from throughout her career. Those familiar with Kael will (most likely) find their favourite pieces and a whole lot more.

  5. 1 de jun. de 2022 · Kael, Pauline. Publication date. 2011. Topics. Motion pictures -- Reviews. Publisher. New York : Library of America. Collection. internetarchivebooks; printdisabled; inlibrary. Contributor. Internet Archive. Language. English. xxiv, 828 p. : 25 cm. Introduction / Sanford Schwartz -- Movies, the Desperate Art -- from I Lost it at the Movies.

  6. 3 de nov. de 2011 · November 3, 20119:57 AM ET. Heard on Fresh Air. Maureen Corrigan. 6-Minute Listen. Playlist. Enlarge this image. Pauline Kael was a film critic for The New Yorker from 1967 to 1991, as well as...

  7. en.wikipedia.org › wiki › Pauline_KaelPauline Kael - Wikipedia

    Pauline Kael ( / keɪl /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, [2] Kael's opinions often ran contrary to those of her contemporaries.