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Es más conocido por su trabajo en la franquicia Star Trek, Braga fue uno de los creativos clave detrás de tres de las cinco series modernas. Más tarde se convirtió en productor ejecutivo y escritor en varios programas de Fox, incluyendo 24 , Terra Nova, y The Orville .
Brannon Braga (/ ˈ b r ɑː ɡ ə /; born August 14, 1965) is an American television producer, director and screenwriter. Best known for his work in the Star Trek franchise, Braga was a key creative force behind three of the franchise's live action series.
Star Trek. Brannon Braga (born 14 August 1965; age 58) is a writer, producer and creator, serving as such on the spin-off television series Star Trek: The Next Generation, Star Trek: Voyager, Star Trek: Enterprise, as well as on the Star Trek films Star Trek Generations and Star Trek: First Contact.
Brannon Braga. Writer: Star Trek: Generations. Brannon Braga was born on 14 August 1965 in Bozeman, Montana, USA. He is a producer and writer, known for Star Trek: Generations (1994), Star Trek: First Contact (1996) and Star Trek: The Next Generation (1987).
Brannon Braga | Memory Alpha | Fandom. en: Actores, Escritores, Personal de Producción. español. Brannon Braga. 14/08 / 1965 - Bozeman, Montana (Estados Unidos) Apariciones en ST: Film "Star Trek: First Contact" (1996) - Extra en la escena del Holodeck (no acreditado) Historias, Guiones y/o Adaptaciones en ST: TNG : "Reunion" (181) (1990) - Guión.
Once that last show ended, Braga moved on to such series as Threshold, 24, FlashForward and his latest effort, Terra Nova, which will premiere on September 26. StarTrek.com recently caught up with Braga for a lengthy and informative interview in which he talked about all of the above and more.
Published Sep 20, 2011. Brannon Braga: From TNG To Terra Nova, Part 2. By StarTrek.com Staff. Yesterday, in part one of our exclusive interview, Brannon Braga talked about joining the writing staff of The Next Generation and subsequently working on TNG, Voyager, Enterprise and the features Generations and First Contact.
