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Lee Krasner. Gaea. 1966. Krasner reinvented her artistic style several times during the course of her career. In the mid-1960s her work took on a spirit of free invention, embodied in broad, sweeping strokes of paint—quite different from her smaller, thickly painted, and tightly controlled canvases of the late 1940s.
2 de jun. de 2021 · Y el modo que tenía de hacerlo era implicándose ella misma físicamente en la pintura: Gaea, título inspirado en la diosa griega de la Tierra, es una exaltación de la mancha, el gesto, el empaste y la inmediatez. Y nada más. Es un rechazo absoluto de la imitación de la realidad en favor de una expresión absolutamente individual.
Titled Gaea, after the ancient Greek goddess of the earth, the painting’s vivid colors, organic shapes, and fluid movement reflect the artist’s fascination with the natural world and its origins. Let’s learn more about the work from the artist. Curator, Starr Figura: Here's Lee Krasner.
Audio from Collection 1950s–1970s. Hear fresh perspectives on MoMA’s dynamic collection. Caption: The Museum of Modern Art Renovation and Expansion Designed by Diller Scofidio + Renfro in collaboration with Gensler. Photography by Iwan Baan, Courtesy of MoMA.
Gaea. Krasner's signature vibrant use of color, lifelong interest in the fecundity of nature, and joyous sensibility were among her key contributions to the often brooding, deeply serious post-war abstract tendencies of her peers. Via her paintings, Krasner worked through her profound anguish and anger after Jackson Pollock's death.
Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Gaea’ was created in 1966 by Lee Krasner in Abstract Expressionism style. Find more prominent pieces of abstract at Wikiart.org – best visual art database.
27 de feb. de 2024 · Gaea, 1966, Lee Krasner, Nueva York, Museum of Modern Art (MoMA). Líneas duras. A principios de la década de 1970, la obra de Krasner tomó de repente otra nueva dirección. Comenzó a pintar composiciones abstractas de aspecto más duro que parecían casi geométricas en su lenguaje visual.
