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Learn how cinematographer Jarin Blaschke and director Robert Eggers created the haunting and atmospheric visuals of The Lighthouse, a black-and-white film shot in 1.19:1 aspect ratio. Discover their influences, challenges, and choices of lenses, lights, and camera moves.
31 de ene. de 2020 · "The Witch" collaborators Robert Eggers and DP Jarin Blaschke go inside the creation of this year's surprise Best Cinematography nominee.
5 de nov. de 2019 · Exploring the Stunning Black and White Cinematography of ‘The Lighthouse’. Robert Eggers and DP Jarin Blaschke went through a painstaking process of retrofitting '30s lenses, optimizing Kodak black-and-white film stock, developing a custom orthochromatic filter, and designing frames specifically for 1.19:1. Emily Buder. Nov 05, 2019.
13 de ene. de 2020 · Three years after transporting audiences back to colonial New England with The Witch (AC March ’16), writer-director Robert Eggers and cinematographer Jarin Blaschke reteamed for their second feature collaboration, The Lighthouse. The year is 1890, the place a remote island off the New England coast.
18 de oct. de 2019 · As The Lighthouse unravels its secrets—and its protagonists’ sanity—it gains a kind of lunatic momentum towards its final, wild scenes. The intensity of the performances is matched by the simplicity of Blaschke’s framing.
5 de ene. de 2020 · Robert Eggers’ psychological thriller The Lighthouse now finds itself in the conversation thanks to the stark, evocative work of Eggers’ regular collaborator Jarin Blaschke.
11 de may. de 2022 · There's no doubt that The Lighthouse has some of the best cinematography in a thriller film that we've ever seen, but what did cinematography Jarin Blaschke do to create the now iconic look...
