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MAPPA. Distributed by. Madhouse. Country. Japan. Language. Japanese. Dreaming Machine (夢みる機械, Yume Miru Kikai) is an unfinished Japanese anime fantasy - adventure film directed by Satoshi Kon. It would have been the director's fifth feature film.
Satoshi Kon (今 敏, Kon Satoshi, October 12, 1963 – August 24, 2010) was a Japanese film director, animator, screenwriter and manga artist from Sapporo, Hokkaido, and a member of the Japanese Animation Creators Association (JAniCA). He was a graduate of the Graphic Design department of the Musashino Art University.He is best known for his acclaimed anime films Perfect Blue (1997 ...
1 de mar. de 2018 · Exploring anime legend Satoshi Kon’s unfinished final film | Dazed. Film & TV Feature. We speak to the man tasked with completing the late filmmaker’s Dreaming Machine, but was the magical movie just never meant to be? 1March 2018. Text Alex Denney. Satoshi Kon was one of the great cinematic conjurers.
22 de ago. de 2022 · Satoshi Kon, one of the best directors ever to work in anime, passed away in August 2010. He was only 46. During his short career, Kon never made a big hit — but films like Perfect Blue and Paprika took on legendary status with time. He grew widely influential.And, before his death, he was working on the film that could’ve taken him into the mainstream.
26 de feb. de 2022 · The final words of Satoshi Kon’s classic, Millennium Actress, perfectly conclude a decades-long journey. The classic film's last words perfectly conclude a journey decades in the making. Collider
Paprika (Japanese: パプリカ, Hepburn: Papurika) is a 2006 Japanese adult animated surrealistic science fantasy psychological thriller film directed by Satoshi Kon. The film is based on the 1993 novel of the same name by Japanese author Yasutaka Tsutsui. It is Kon's fourth and final feature film before his death in 2010.
1 de abr. de 2022 · Kon was working on one last feature film before he died, called Dreaming Time. It was never released. But after Paprika, he did finish a final original animation.
