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Hace 1 día · Like many traditional medieval Christian authors, Christine de Pizan often adopts a somewhat jaded attitude toward money and wealth. Influenced by both the Christian and Aristotelian traditions, her economic and social investigations, pursued in a series writings composed in the genre of mirrors for princes and princesses, became more realistic and sophisticated over the two decades of her ...
Hace 2 días · Giner de los Ríos y otros reformistas educativos, como Christine de Pizan, François Poullain de la Barre, Nicolás de Condorcet, Mary Wollstonecraft, Olympe de Gouges, Concepción Arenal y Emilia Pardo Bazán, sostenían que educar a mujeres y hombres en igualdad de condiciones era fundamental para el progreso social de los países.
3 de jun. de 2024 · (1364- circa 1430) Italian-born poet and author, in France from early childhood. Her name has been variously spelled:her surname has also been given as de Pisan; she was born Cristina da Pizzano.
14 de jun. de 2024 · Christine de Pizan foi uma mulher intelectual na Idade Média, uma exceção, se considerarmos que a educação era um campo dos homens para os homens. Sua obra A Cidade das Damas (1405) traz a utopia da construção de uma cidade na qual as mulheres estariam livres da misoginia dos homens.
Hace 21 horas · Christine de Pizan. Née en 1634, Christine de Pizan est la première femme française qui vivra de sa plume . Elle est aussi l’autrice de « La cité des dames », qui est considéré aujourd’hui comme le premier manifeste féministe occidental. Régine Dubois vous dresse le portrait de cette femme qui a bousculé les codes de son époque ...
Hace 5 días · As a widow, Alice Perrers was able to conduct business on her own as a femme sole, a single woman. Alice Perrers's appearance as a member of Philippa's household, one of the queen's domicellae , has raised questions in the minds of historians, chief among them, how she managed that placement.
Hace 4 días · Earenfight includes a fascinating close reading of Christine de Pizan’s allegorical Treasury of the City of Ladies (1404 or 1405), which portrays queens as ‘more than just an object in a marriage exchange’ (p. 194).
