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5 de mar. de 2013 · Asger Jorn and Guy Debord, spreads from Fin de Copenhague. The book’s pages ripple with coarse trails of pigment and explode with wild energy. As the story goes, not long after they had arrived in Copenhagen Jorn and Debord stole a pile of newspapers and magazines from a newsstand, which they cut up to make 32 collages.
Guy Debord French. 1959. Not on view. Mémoires was the second collaboration between the writer, activist, and founder of the Situationist International Guy Debord and the artist Asger Jorn; in 1957 they had created Fin de Copenhague, an illustrated book that was allegedly made in a twenty-four hour period.
Fin de Copenhague, con Asger Jorn, Bauhaus Imaginiste, Copenhague, 1957; Allia, 1986. Mémoires, con Asger Jorn, Internationale situationniste, Copenhague, 1958; Les Belles Lettres, 1993; Allia, 2004. Se trata del segundo libro de Jorn y Debord después de Fin de Copenhague y fue
Fin de Copenhague (Goodbye to Copenhagen) is the first collaboration between the two artists. The artists' book is credited to Asger Jorn, with Debord listed as "Technical Adviser in Détournement".
Published by The Royal Library in Copenhagen. The article presents and analyses Fin de Copenhague, which was published in 1957 by the Danish painter Asger Jorn and the French theorist and activist Guy Debord.
10 de jun. de 2019 · Guy Debord, its leading French member, has been cast as the undisputed author of situationist praxis and his ‘Rapport sur la construction des situation’ (1957) understood as the SI’s launching manifesto.
21 de ago. de 2013 · Symbolically, Fin de Copenhague (1957), 22 which announced both the SI’s interventionist techniques and revolutionary typography, simply remained a closed book. Films like the prose poem In girum imus nocte et consumimur igni, created by Debord in the 1970s with his publisher/patron Gérard Lebovici, fared a little better, albeit ...
