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In his "Protractor" series (1967–9, with additional works until 1971), Frank Stella introduced the arcs and curves that can be created with a protractor, but also the straight edges as well. Notice in his paintings how the straight lines provide a framework or stabilizing structure for the curves.
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13 de may. de 2024 · Stella expanded his use of color in the Protractor series (1967–71), an influential group of paintings marked by intersecting geometric and curvilinear shapes and plays of vivid and harmonious colors, some of which were fluorescent. Stella’s next decade opened with a survey of his work at MoMA (1970).
De entre sus obras pueden destacarse de Protractor (1967), Polish Village Series (1970-1973) y Brazilian Series (1974-1975). En los años ochenta realizó la serie Cones and pillars. En 1970 y 1987 se realizaron exposiciones retrospectivas de su obra en el Museo de Arte Moderno de Nueva York.
11 available. Frank Stella began his “Protractor” series in the late 1960s, painting bright, curved bands of color on large canvases cut to resemble the semi-circular shape of protractors. With bold, rainbow palettes, the “Protractor” series marked a creative turning point for the Minimalist artist—until then, Stella was known for his ...
23 de ago. de 2017 · A partir de 1960 Frank Stella empezaría a utilizar aluminio y cobre para sus lienzos, y también pintaría bandas paralelas de diferentes colores, no solamente negras, como en su obra Harran II (1967), que pertenece a la serie de obras Protractor (trasportador).
Frank Stella reveals how a simple measuring tool aided him in creating his |Protractor| series.
“Protractor, Variation I” by Frank Stella is an acrylic and graphite painting on canvas at the Pérez Art Museum Miami. Created in 1969, the painting is 16 feet wide by 8 feet tall, and is composed of rhythmic bands of color in the shape of a protractor.
