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  1. Biography. Steve began playing music just days before his 14th birthday as a freshman at South Shore High School on the south side of Chicago. His first instrument was violin but later that year he switched to the alto saxophone.

  2. Steve Coleman (born September 20, 1956) [1] is an American saxophonist, composer, bandleader and music theorist. In 2014, he was named a MacArthur Fellow . Early life. Steve Coleman was born and grew up in South Side, Chicago. [1] . He started playing alto saxophone at the age of 14.

  3. Steve Coleman (Chicago, Illinois, 20 de septiembre de 1956), saxofonista, compositor espontáneo y director de banda estadounidense de gran influencia en el jazz contemporáneo. Como sideman ha formado parte de los grupos de Dave Holland y Doug Hammond, entre otros.

  4. Biography. M-Base founder, composer, and alto saxophonist Steve Coleman hails from Chicago. His earliest years were spent playing in R&B and funk bands in emulation of his first hero, Maceo Parker. Coleman had heard all the greats in his hometown and changed his focus from R&B to jazz precipitating his move to New York.

  5. 17 de sept. de 2014 · Fellows. Steve Coleman. Jazz Composer and Saxophonist Class of 2014. Infusing iconic spontaneous music idioms with the melodic, rhythmic, and structural components of an eclectic range of musical traditions to create a distinctive new sound. Location. Allentown, Pennsylvania. Age. 57 at time of award. Area of Focus.

  6. Reviews. Official website. Steve Coleman biography. Steve Coleman born in Chicago and began playing music from he was 14 .His first instrument was violin but later that year he switched to the alto saxophone. For three years Steve studied the basics of music and saxophone technique, then he decided that he wanted to learn how to improvise.

  7. What M-Base is: An acronym for Macro – Basic Array of Structured Extemporizations. For us this means expressing our experiences through music that uses improvisation and structure as two of its main ingredients. There is no limitation on the kind of structures or the type of improvisation, or the style of the music.