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Kiyoteru Hanada (花田 清輝, Hanada Kiyoteru, March 29, 1909 – September 23, 1974) was a prominent Japanese literary critic and essayist. Hanada is widely acclaimed as one of the most influential advocates and theorists of the postwar avant-garde art movement. Jukki Hanada is his grandson.
27 de jun. de 2024 · This article explores the intellectual and political meanings surrounding scholarly reconstruction and reimagining of the Renaissance in pre- and post-war Japan, analyzing in particular the work of Hayashi Tatsuo, Watanabe Kazuo and Hanada Kiyoteru, through comparison with some of the dominant perspectives on the same subject ...
1.2.1. Kiyoteru Hanada (1909-1974) Kiyoteru Hanada escribió «Teoría sobre Sancho Panza» en la re-vista Totairiku en 1938; un ejemplo de ensayo centrado por primera vez en el escudero y no en el protagonista don Quijote. Hanada afirma que «es posible que don Quijote se parezca a ti, y Sancho Panza y yo seamos dos gotas de agua».
This dissertation aims to unpack the critic Hanada Kiyoteru (1909–1974)'s conceptualization of mass organization throughout the wartime and postwar periods, focusing on his formalist approach. Hanada is known for leading the theory of avant-garde art (abangyarudo geijyutsu) in postwar Japan.
1 de nov. de 2014 · This is a study of Hanada Kiyoteru, a communist literary and art critic whose position in the world of postwar art criticism has gone relatively unexamined in Japanese studies and art history in English.
9 de feb. de 2017 · ABSTRACT. In 1958, Hanada Kiyoteru pointed to the virtues of the ‘semi-documentary’ format. By the 1960s, highly political films, especially those centered on human rights, abandoned Griersonian documentary and instead used highly poetic and allegorical forms.
13 de may. de 2016 · This essay by the Communist avant-garde critic Hanada Kiyoteru, written in 1954, uses the Disney interpretation of Lewis Carroll’s Cheshire Cat as a means to discuss how documentary film might deal with “folk” phenomenon such as “goblin cats.”
