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  1. Daniyal Mirza (11 September 1572 – 19 March 1605 [1]) was the shahzada of the Mughal Empire who served as the Viceroy of the Deccan. [2] . He was the third son of Emperor Akbar and the half-brother of Emperor Jahangir. Daniyal was Akbar's favourite son, as well as an able general.

  2. en.wikipedia.org › wiki › AnarkaliAnarkali - Wikipedia

    Anarkali was a concubine of Emperor Akbar(and Prince Daniyal's mother) who fell in love with his son Jahangir. Anarkali was one of the wife of Jahangir speculated either Sahib-i Jamal or Nur Jahan; Just a pomegranate garden

  3. Khusrau Mirza (16 August 1587 – 26 January 1622) was the eldest son of the Mughal Emperor Jahangir and his first wife, Shah Begum. [2] [3] The young prince displayed exceptional skills and wisdom and had the privilege to be groomed by the Mughal Emperor (Akbar) himself for the throne of the Mughal Empire.

  4. On view at The Met Fifth Avenue in Gallery 450. This dedicatory inscription in "tughra" script, dated A.H. 905/A.D. 1500, is from a mosque in western Bengal built for Prince Daniyal, a son of Sultan Husayn Shah. The inscription is an outstanding example of Indo-Muslim epigraphy: the regular pattern in which the vertical letters are arranged and ...

  5. everything.explained.today › Daniyal_MirzaDaniyal Mirza Explained

    Daniyal Mirza (11 September 1572 – 19 March 1605) was the shahzada of the Mughal Empire who served as the Viceroy of the Deccan. [1] . He was the third son of Emperor Akbar and the half-brother of Emperor Jahangir. Daniyal was Akbar's favourite son, as well as an able general.

  6. In this folio from Walters manuscript W.649, Emperor Akbar eventually permits the young Hindu girl to practice sati (self-immolation). Akbar's son, Prince Daniyal, accompanies the woman to the funeral pyre.

  7. Explore the Exhibition: Rembrandt and the Inspiration of India. Left: A Mughal Nobleman Standing (Prince Daniyal), 1606–1669, Rembrandt Harmensz. van Rijn. Brown ink and brown and gray wash with red chalk wash and white opaque watercolor on Asian paper. The British Museum, London. Bequeathed by George Salting.