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  1. en.wikipedia.org › wiki › Titles_(album)Titles (album) - Wikipedia

    Titles is the debut solo studio album by the English new wave artist Mick Karn, released in 1982. The album peaked at No. 74 on the UK Album Chart.

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  3. genius.com › albums › Mick-karnMick Karn - Titles Lyrics and Tracklist | Genius

    Mick Karn. Released November 1, 1982. Titles Tracklist. 1. Tribal Dawn Lyrics. 2. Lost Affections in a Room Lyrics. 3. Passion in Moisture Lyrics. 4. Weather The Windmill Lyrics. 5. Saviour,...

  4. www.youtube.com › watchMick Karn ‎– Titles (1982) Full Album - YouTube

    11 de ene. de 2023 · 01 (00:00) 04 (12:43) 07 (25:42)02 (04:12) 05 (16:40) 08 (30:18)03 (08:31) 06 (20:45) 09 (34:40)https://www.discogs.com/release/9849574-Mic...

  5. www.youtube.com › playlistTitles - Mick Karn Full Album - YouTube

    2 de may. de 2024 · The complete playlist for the album Titles by Mick Karn (Playlist) "Titles" by "Mick Karn" Full album The full tracklist by Mick Karn, from the Titles album

  6. en.wikipedia.org › wiki › Mick_KarnMick Karn - Wikipedia

    Karn played bass guitar and saxophone on Gary Numan's 1981 No.6 hit "She's Got Claws" and other tracks on its parent No.3 hit album, Dance. In November 1982, Karn released his first solo album, Titles, just as Japan had announced their split.

  7. Imágenes

    • Mick Karn - Titles (1982, Vinyl) | Discogs
    • Mick Karn – Titles (1990, CD) - Discogs
    • Mick Karn - Titles (1982, Cassette) | Discogs
    • Mick Karn ‎– Titles (1982) - JazzRockSoul.com
    • Mick Karn – Titles | 3rd Ear Online Store
    • Mick Karn ‎– Titles (1982) - JazzRockSoul.com

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  8. www.discogs.com › master › 87988-Mick-Karn-TitlesMick Karn - Titles | Releases | Discogs

    LP, Album, Stereo. Explore the tracklist, credits, statistics, and more for Titles by Mick Karn. Compare versions and buy on Discogs.

  9. rateyourmusic.com › release › albumTitles by Mick Karn (Album, Art Pop): Reviews, Ratings, Credits,...

    Japan bassist Mick Karn steps out on his own with Titles in the final days of the band. It is sort of a reversal of the usual art rock / art pop duality which often would lead with the accessible vocals on the A side and follow up with the more experimental second side.