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De Kooning once summarized the history of female representations as “the idol, the Venus, the nude.” In Woman, I, he both alludes to and subverts such conventions, while possibly referencing the long-held societal ambivalence between reverence for and fear of the feminine.
- XXVth Anniversary Exhibition
In 2018–19, MoMA collaborated with Google Arts & Culture Lab...
- Willem De Kooning
Willem de Kooning (; Dutch: [ˈʋɪləm də ˈkoːnɪŋ]; April 24,...
- XXVth Anniversary Exhibition
19 de mar. de 1997 · One of the most prominent and celebrated of the Abstract Expressionist painters, Willem de Kooning's pictures typify the vigorous, gestural style of the movement. Perhaps more than any of his contemporaries, he developed a radically abstract style of painting that fused Cubism, Surrealism and Expressionism.
Willem de Kooning (Róterdam, 24 de abril de 1904 - Long Island, 19 de marzo de 1997) fue un pintor neerlandés nacionalizado estadounidense, exponente en los años posteriores a la Segunda Guerra Mundial del expresionismo abstracto, y dentro del seno de esta tendencia, de la action painting o pintura gestual —pintores de este movimiento fueron Jac...
Willem de Kooning was born on April 24, 1904, into a working class family in Rotterdam, the Netherlands. Driven by an acutely perceptive mind, a strong work ethic, and persistent self doubt – coupled with the determination to achieve – the charismatic de Kooning became one of America’s and the twentieth century’s most influential artists.
4 de mar. de 2019 · Lesson #1: Don’t be afraid to be influenced by fellow artists’ work. Willem de Kooning. Asheville, 1948. "Leap Before You Look: Black Mountain College 1933-1957" at ICA Boston. Advertisement. When de Kooning was 21, in 1926, he moved from Holland to the U.S. to pursue a career in commercial art.
The Collection. Modern and Contemporary Art. Woman. Willem de Kooning American, born The Netherlands. ca. 1952. Not on view. De Kooning made both figurative and abstract art at various points in his career, sometimes concurrently. Of nonfigurative work, he said, "even abstract shapes must have a likeness."
