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  1. 9 de jun. de 1997 · The Flaming Lips. View credits, reviews, tracks and shop for the 1997 CD release of "Mundo Civilizado" on Discogs.

  2. Marc Ribot. Música experimental, improvisación libre, free jazz. Marc Ribot (pronunciado /ˈriːboʊ/) ( Newark, New Jersey, Estados Unidos, 21 de mayo de 1954) es un compositor y guitarrista estadounidense. Ha participado en proyectos eclécticos que van desde el free jazz hasta la música cubana y colaborado con músicos como ...

  3. Mundo civilizado, an Album by Arto Lindsay. Released in 1996 on Bar/None (catalog no. AHAON-082; CD). Genres: Art Pop. Rated #177 in the best albums of 1996, and #8252 of all time album.. Featured peformers: Arto Lindsay (vocals, guitar, programming, producer, sequencing), Melvin Gibbs (programming, sequencing), Andres Levin (keyboards ...

  4. en.wikipedia.org › wiki › Arto_LindsayArto Lindsay - Wikipedia

    Arthur Morgan "Arto" Lindsay (born May 28, 1953) is an American guitarist, singer, record producer and experimental composer. He was a member of the pioneering 1970s no wave group DNA, which featured on the 1978 compilation No New York.In the 1980s, he formed the group Ambitious Lovers.He also performed with The Golden Palominos and The Lounge Lizards.

  5. Mundo Civilizado drops the vestiges of skronk altogether for a graceful update of ’60s Tropicalismo, ... Bill Frisell’s Nashville stylings, and Marc Ribot’s homage to Cuban son master Arsenio Rodriguez all embrace pop forms in their efforts to reconcile the experimentalist’s demand for freedom and the songwriter’s need for structure.

  6. 10 de jul. de 2020 · In 1997 Arto Lindsay made a big critical splash with the one-two punch of Mundo Civilizado and the remix album Hyper Civilizado. Noon Chill confirms that he’s on a creative roll. With career-stalling two and three year periods of dead air becoming all too common, it’s refreshing to see someone crank out albums every year for a ...

  7. 10 de feb. de 2007 · Product description. Mundo Civilizado is Lindsay's second successful jazz pop foray, continuing on the path followed on 1996's Subtle Body while delving further into electronic music by setting many of his acoustic compositions to the beats of DJ Spooky and Mutamassik.