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Louis Barron (1920-1989) and Bebe Barron (1925-2008): Forbidden Planet, main title fron MGM movie (1956).*****The music published in our channel is exclusive...
Forbidden Planet (1956) Louis&Bebe Barron: Sonidos fuera de este mundo. La propuesta futurista de Forbidden Planet, basada en la adaptación de “The Fatal Planet”, un texto original de Irving Block y Allen Adler escrito en 1952, a su vez lejanamente inspirado en “La tempestad” de William Shakespeare, sumada al millonario presupuesto ...
In 1956 the Barrons composed the very first electronic score for a commercial film — Forbidden Planet, released by Metro-Goldwyn-Mayer. The Barrons approached Dore Schary (MGM's executive producer) at an exhibit of Schary's wife's [ who? ] paintings in 1955.
27 de oct. de 2021 · Collection. inlibrary; printdisabled; internetarchivebooks. Contributor. Internet Archive. Language. English. xii, 185 p. : 22 cm. Includes bibliographical references and index. Origins and connections -- Compositional techniques -- Historical and critical contexts -- The music -- The film score.
Bebe Barron, with her husband Louis, composed "electronic tonalities" for the film Forbidden Planet (1956), the first completely electronic score for any mainstream film. This...
13 de mar. de 2013 · Forbidden Planet, released in 1956, featured a groundbreaking score by Louis and Bebe Barron. It’s considered now to be the first electronic soundtrack, though at the time the Barron’s work was referred to as ‘electronic tonalities’.
3 de mar. de 2015 · Louis and Bebe Barron did that. Their creation was quite unlike anything heard before 1956 – a “soundtrack” without songs, blurring the line entirely between what we know as a “film score” and “sound effects” and possibly inventing – and certainly advancing – the notion of “sound design.”
