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PH.D. in American Studies, University of Pennsylvania. Trained in the interdisciplinary field of American Studies, Barry Shank’s books include The Political Force of Musical Beauty (Duke University Press, 2014), A Token of My Affection: Greeting Cards and American Business Culture (Columbia University Press, 2004), and Dissonant Identities ...
Barry Shank. Professor of Comparative Studies, Ohio State University. Verified email at osu.edu. American studies popular music cultural theory. Articles Cited by. Title. ... JA Radway, K Gaines, B Shank, P Von Eschen. John Wiley & Sons, 2009. 40: 2009: From rice to ice: The face of race in rock and pop. B Shank. The Cambridge companion to pop ...
Barry Shank. Director, Humanities Institute and Humanities Collaboratory; Professor, Department of Comparative Studies. shank.46@osu.edu. 614-247-6186. 440 Hagerty Hall. 1775 S. College Road. Columbus, OH. 43210.
In The Political Force of Musical Beauty, Barry Shank shows how musical acts and performances generate their own aesthetic and political force, creating, however fleetingly, a shared sense of the world among otherwise diverse listeners.
Ph.D. in American Studies, University of Pennsylvania. Trained in the interdisciplinary field of American Studies, Barry Shank’s books include The Political Force of Musical Beauty (Duke University Press, 2014), A Token of My Affection: Greeting Cards and American Business Culture (Columbia University Press, 2004), and Dissonant Identities ...
17 de mar. de 2014 · In The Political Force of Musical Beauty, Barry Shank shows how musical acts and performances generate their own aesthetic and political force, creating, however fleetingly, a shared...
28 de sept. de 2011 · Barry Shank. Edited by. Simon Frith , Will Straw and. John Street. Chapter. Get access. Cite. Summary. There should be no argument that the transformations in popular music that we associate with the rise and development of rock were the result of white fascination with black music.
