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Sweeney’s Dream Fiddle Tunes from County Sligo Kevin Burke. Recorded in 1972, this album captures young Kevin Burke’s stunning artistry during his earliest years in the United States. Smithsonian Folkways Recordings includes 28 page booklet with extensive notes. Tracks: Love at the Ending; Humours of Lissadell/Sweeney’s Dream; Murphy’s ...
Kevin Burke’s early-on LP -- 1977, Folkways. The backing musicians were members of the American group, The Delaware Water Gap String Band. Henry Saposnik plays beautiful frailing five-string banjo on The Mason’s Apron and on a few other tunes: The Bunch of Keys, The Girl That Broke My Heart, George White’s Favourite, Coleman’s Cross.
Kevin Burke: Sweeney's Dream. Hailed as "virtuosic and powerful" by the New York Times, Kevin Burke is a master of the highly ornamented Sligo style of Irish fiddling. Born in London, England, his strong family ties to County Sligo on Ireland's west coast immersed him in one of the Celtic world's most revered musical legacies.
Kevin Burke (born 1950) is an Irish master fiddler considered one of the finest living Irish fiddlers. For nearly five decades he has been at the forefront of Irish traditional music and Celtic music, performing and recording with the groups The Bothy Band, Patrick Street, and the Celtic Fiddle Festival.
3 de may. de 2001 · Recorded in 1972, this album captures young Kevin Burke's stunning artistry during his earliest years in the United States. Instrumentation ranges from solo fiddle to group pieces that include guitar, mandolin, banjo, autoharp, and bodhrán. 46 minutes. 17 tracks. 28-page booklet with extensive notes.
Provided to YouTube by Smithsonian Folkways RecordingsThe Humours of Lissadell / Sweeney's Dream (medley) · Kevin BurkeKevin Burke: Sweeney's Dream℗ 2001 Smi...
Kevin Burke is one of the great Irish traditional musicians of our time. In his essay for this Smith- sonian Folkways reissue of Sweeney's Dream, Kevin plays tribute to the popularity and influence of the great County Sligo fiddlers who recorded in New York in the 1920s and '30s. He was too modest
