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  1. Le Bal du comte d'Orgel ("Count d'Orgel's Ball") is a French novel by Raymond Radiguet (1903–1923). The second and last novel by the Parisian author, it was published posthumously in 1924. Set as a love triangle during the années folles , it proved controversial, as did his first psychological novel , Le Diable au corps ...

  2. 1 de jul. de 1970 · With Jean-Claude Brialy, Sylvie Fennec, Bruno Garcin, Micheline Presle. 1920. Count Anne d'Orgel entertains the upper crust of Paris. A handsome young man, François de Séryeuse, who is fascinated by him, gets into his manor and falls in love with Mahé, the count's young wife.

  3. Based on Raymond Radiguet 's book of the same name, posthumously published in 1924, the film concerns a ball hosted by the Comte d'Orgel (English: Count of Orgel ). Set in 1920, the Comte hosts a soirée and dance for the upper echelons of Parisian society.

  4. 13 de sept. de 2013 · At Count d'Orgel's masquerade ball, the real disguises are those of the human heart"--Publisher's description. Count d'Orgel is handsome, charming, and carefree, a model of cool aristocratic aplomb. His wife, the Countess, is beautiful and pure and loves her husband...

  5. Christian Matras. Compañías. Cocinor, Les Films Marceau. Género. Drama | Años 20. Sinopsis. 1920: el conde Anne d'Orgel recibe y divierte a la crème de la crème parisina. Un apuesto joven, François de Séryeuse, fascinadopor el conde, entra en la mansión del conde y se enamora de Mahaut, la joven esposa del conde.

  6. Jean-Claude Brialy Cast. Sylvie Fennec Cast. Micheline Presle Cast. Françoise Sagan Screenplay. Christian Matras Cinematography. Raymond Le Sénéchal Music. Victoria Mercanton Editing. Critics reviews. The story of a complicated love-triangle set in Parisian high society of the 1920s.

  7. lascriticas.co › peliculas › the-ball-of-count-orgelThe Ball of Count Orgel (1970)

    La película The Ball of Count Orgel es uno 95 minutos de duración drama desde 1970, dirigido por Marc Allégret. El elenco principal está compuesto por Jean-Claude Brialy, Sylvie Fennec y Bruno Garcin.