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  1. Danny Thompson toca el contrabajo en el álbum. Dead Men Don't Smoke Marijuana contiene canciones folk "dulces" y sincopadas en el estilo musical distintivo de Rogie. [2] El disco está dominado por su trabajo de guitarra acústica y su canto, pero también está respaldado por la sutil percusión, el contrabajo y el teclado. [9]

  2. Danny Thompson plays double bass on the album. Dead Men Don't Smoke Marijuana contains "sweet," syncopated folk songs in Rogie's distinctive palm-wine musical style. The record is dominated by his acoustic guitar work and singing but also backed up with the subtle percussion, double bass and keyboard work.

  3. 14 de feb. de 2024 · Dead Men Don’t Smoke Marijuana. S.E. Rogie. Released 21 May 1994. Kpindigbee (Morning, Noon And Night) A Time In My Life; Nor Weigh Me Lek Dat (Woman To Woman) Jaimgba Tutu (The Joy Of Success) Koneh Pelawoe (Please Open Your Heart) Jojo Yalah Jo (I Lost My Wife) Nyalomei Luange (Love Me My Love) African Gospel; Nyalimagotee (The ...

  4. 21 de may. de 1994 · about. Dead Men Don’t Smoke Marijuana is the last album by the beloved singer/songwriter S.E Rogie. A collection of fingerpicked acoustic guitar tunes rooted in the palm wine style of Sierre Leone, Rogie’s birthplace, and tinged with gospel, reggae, country and blues, it was released to acclaim in 1994 and has become an ...

  5. S. E. Rogie: Dead Men Don't Smoke Marijuana (1997) Darrell Scott: Theatre of the Unheard (2003); Live in NC (2004) Songhai. Collaboration with flamenco group Ketama and kora player Toumani Diabaté: Songhai (1988); Songhai 2 (1994) Rod Stewart: Every Picture Tells a Story (1971) David Sylvian: Brilliant Trees (1984); Secrets of the ...

  6. La producción corrió a cargo del productor estadounidense Tchad Blake, que trabajó de forma íntima. Además de la banda de acompañamiento de Rogie, compuesta por tres miembros, el álbum cuenta con el contrabajista inglés Danny Thompson y el guitarrista Alfred Bannerman.

  7. 21 de may. de 1994 · “Count your blessings, sisters and brothers,” croons Rogie on ‘African Gospel’, his sentiments uplifted by call-and-response vocals, the chiming highlife guitar of Ghana’s Alfred Kari Bannerman and the rhythmic double bass of Danny Thompson, an Englishman whose ability to get to the heart of a piece is palpable - and whose ...