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Mick Ronson played on tracks 1, 5, 6 and 7. Peacock reflected: "There was an understanding between Mick and I, a mutual respect and admiration." In an interview, Peacock stated that she approached the creation of the album as if it were two singles, "like each side was one piece... and the relationship between the two sides was ...
14 de may. de 2021 · In the pursuit to reconcile the duality of attraction & repulsion and love & cruelty, the album oscillates between an assertive opening side and a sweeter side B. Assembling a crew of 22 musicians (including Mick Ronson on guitar and Bill Bruford on drums), Peacock delivers impassioned vocal performances alongside an improvisational ...
30 de ene. de 2020 · X-Dreams is a remarkably engaging record, a full-on aesthetic experience that confirms Annette Peacock’s stone-cold original status. I’ve read several reviews of X-Dreams, some okay, some bloody awful and a few that cross the line into horny male obliviousness.
X-Dreams is the second solo album by Annette Peacock, released in 1978. She had spent the previous four years recording material for the album in various studios. Mick Ronson plays on tracks 1, 5, 6 & 7. Peacock said “There was an understanding between Mick and I, a mutual respect and admiration.”
The guitar part, played in all certainty by Chris Spedding (who was among the rock’n’roll session players on this disc, along with Bruford, Mick Ronson and ex-High Tide bassist Pete Pavli) builds and builds as it slashes ever onward’n’upward.
X-Dreams is a music studio album recording by ANNETTE PEACOCK (Crossover Prog/Progressive Rock) released in 1978 on cd, lp / vinyl and/or cassette. This page includes X-Dreams's : cover picture, songs / tracks list, members/musicians and line-up, different releases details, free MP3 download (stream), buy online links: amazon, ratings and ...
X-Dreams, an Album by Annette Peacock. Released in 1978 on Aura (catalog no. AUL 702; Vinyl LP). Genres: Art Rock, Singer-Songwriter, Jazz Fusion. Rated #229 in the best albums of 1978.
