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Pete Anderson:Multi-Platinum Grammy Award-Winning Producer/GuitaristWidely known as the musical backbone behind Dwight Yoakam, producer/arranger/guitarist Pe...
The Blazers: Just For You (1997): producer, guitar; Joy Lynn White: Lucky Few (1997): producer, guitar; Wooden Circus: Wooden Circus (Lemon Drop) (1998): producer; Heather Myles: Highways & Honky Tonks (1998): guitar; Scott Joss: Invite Scott Joss Into Your Living Room (1998): producer; Amanda Garrigues: Spirit Act (1999): engineer
Pete Anderson: Producer, Arranger, Vocal, Guitar: 1997: Dogs In Heaven: Pete Anderson: Arranger, Vocals, Guitar, Banjo: 1997: Just for You: The Blazers: Producer, Slide Guitar: 1997: All My Wild Oats: Jim Matt: Producer: 1997: Throwin’ Rocks at the Moon: The Backsliders: Producer: 1997: Good Country Junk: Mark Insley: Guitar: 1997: Land of ...
16 de feb. de 2024 · Pete Anderson made his name as a hotshot Telemaster and successful producer with Dwight Yoakam when their first album, Guitars, Cadillacs, Etc., Etc., became a double-Platinum smash in 1986. The pair had been working together for two years, finding success with new-wave audiences and roots fans alike, helped by opening slots for the likes of the Blasters and Los Lobos.
19 de sept. de 2012 · By Alison Richter. published 19 September 2012. Growing up in Detroit, Michigan, guitarist Pete Anderson began his foray into the music world at age 8 with a lap steel guitar, but his epiphany took place as a teenager. "Bob Dylan came out, and that was a whole new weird thing that got psychedelic and re-attracted me to the guitar," he says.
And I’ve just got to concentrate on being a really great Pete Anderson. And it’s not easy. It’s not super difficult, it’s just that you’ve got to kind of slap yourself and go, ‘Quit lookin’.’ It’s like you’re at the nude beach, ‘Quit staring, you’ve got work to do!’ So that’s kind of how I look at it.
8 de ene. de 2021 · The most surprising secret of all is that Anderson also employed a Scholz Rockman set to the Edge setting. “We split the guitar’s signal and recorded the miked Deluxe and a direct signal from the Rockman simultaneously. The Deluxe sounded pretty good on its own, but when you rode up the fader on the Rockman track it really cleaned up the ...
