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  1. Man of Many Parts is an album by multi-instrumentalist and composer Buddy Collette recorded at sessions in 1956 and released on the Contemporary label.

  2. George Sylvester "Red" Callender (March 6, 1916 – March 8, 1992) was an American string bass and tuba player. He is perhaps best known as a jazz musician, but worked with an array of pop, rock and vocal acts as a member of The Wrecking Crew, a group of first-call session musicians in Los Angeles.

  3. George Sylvester "Red" Callender (6 de marzo de 1916 – 8 de marzo de 1992) fue un contrabajista estadounidense que también destacó en el manejo de la tuba. Músico fundamentalmente de jazz, formó parte de The Wrecking Crew, un afamado grupo de músicos de sesión de Los Ángeles con los que participó en numerosas grabaciones de ...

  4. William Mercell Collette ( Los Ángeles, California, 6 de agosto de 1921 – Los Ángeles, California, 19 de septiembre de 2010) fue un saxofonista, clarinetista, flautista y compositor estadounidense de jazz . Biografía. Compañero de estudios de Charles Mingus, tocó con su propia banda desde 1933, y con Cee Pee Johnson entre 1941 y 1943.

  5. 28 de nov. de 2017 · Man of Many Parts is an album by multi-instrumentalist and composer Buddy Collette recorded at sessions in 1956 and released on the Contemporary label. AllMusic Review by Scott Yanow: This CD reissue of a Contemporary session shows off the many parts of multi-reedist Buddy Collette.

  6. 9 de jul. de 2023 · Recorded for Contemporary in 1956, the combined personnel over the three recording sessions were Buddy Collette (ts, as ,fl, clar), Gerald Wilson (tp), David Wells (bass tp), William E. Green (as), Jewell Grant (bs), Barney Kessel (g), Ernie Freeman and Gerald Wiggins (p), Red Callender and Joe Comfort and Gene Wright (b), Max ...

  7. Man of Many Parts, in title and deed, bears this out. Additionally, Collette’s writing skills are revealed in the nine original compositions that comprise three-fourths of the LP. They are typical of the West Coast jazz of the period, a parallel–particularly the octet tracks–to the Shorty Rogers’ Giants.