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  1. Jeff "Tain" Watts (born January 20, 1960) ... Watts got the nickname "Tain" from Kenny Kirkland when they were on tour in Florida and drove past a Chieftain gas station. He was given a Guggenheim fellowship in music composition in 2017. Watts attended Berklee College of ... Land of Shadow (Criss Cross, 2002) Reflections (Criss Cross ...

  2. The Lay of the Land. Whaling City Sound: WCS017. Buy download online. Mike Pope (double bass), Randy Brecker (trumpet), Henry Hey (piano), Jeff "Tain" Watts (drums), Seamus Blake (saxophone), Mike Stern (acoustic guitar), Michael Brecker (saxophone), John Patitucci (double bass), Jim White (drums), Joe Locke (vibraphone), Mike Pope (electric bass)

  3. 25 de ago. de 2003 · Michael Pope, acoustic and electric bass; Randy Brecker, trumpet; Seamus Blake, Michael Brecker, tenor saxophone; Henry Hey, piano; Joe Locke, vibraphone; Mike Stern, acoustic guitar; John Patitucci, acoustic bass; Jeff "Tain" Watts, Jim White, drums. Album information. Title: The Lay of the Land | Year Released: 2003 | Record Label ...

  4. 23 de sept. de 2021 · This latest edition of the series, however, shines a light on a master who is very much of the now: drummer and composer Jeff "Tain" Watts.

  5. 23 de abr. de 2014 · Multi-Grammy Award winning percussionist Jeff ‘Tain’ Watts is one of the most sought after musicians in the world. Watts’ extraordinary career includes a role as Rhythm Jones in Spike Lee’s Mo’ Better Blues, a three year stint on the Tonight Show with Jay Leno and a legendary Grammy run with the Marsalis brothers; winning three Grammy’s with the Wynton Marsalis Quartet and later a ...

  6. 20 de ene. de 2024 · The Humanized Polyrhythm: Tain’s Artistic Philosophy. Jeff “Tain” Watts’ approach to drumming goes beyond technical brilliance; it’s a quest to humanize polyrhythm. Using rhythm not just as a structural element but as a medium to convey emotion, Watts’ drumming is a conversation with the listener.

  7. Watts, who is a champion at the rolling triplet version popularized by Elvin Jones with John Coltrane, instead chooses a sixteenth-note-oriented variety with a calypso-funk vibe.