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The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (German: Die Permanenz der Kunst: Wider eine bestimmte marxistische Ästhetik) is a 1977 book on aesthetics by the philosopher Herbert Marcuse, in which the author provides an account of modern art's political implications and relationship with society at large.
9 de sept. de 2015 · The aesthetic dimension : toward a critique of Marxist aesthetics : Marcuse, Herbert, 1898-1979 : Free Download, Borrow, and Streaming : Internet Archive.
The Aesthetic Dimension. Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society.
Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a...
I have at the beginning of The Aesthetic Dimension outlined what social determination of art I think does indeed prevail: it is, essentially, the material, the tradition, the historical horizon under which the writer, the artist, has to work.
The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (Boston: Beacon, 1978), 88 pages. Translation of Die Permanenz der Kunst (Munich: Hanser, 1977). English version translated and revised by Herbert Marcuse and Erica Shereover © 1978.
18 de dic. de 2013 · In his last book The Aesthetic Dimension (1978), Marcuse continues his attempt to rescue the radical transformative nature of art. In this text he takes a polemical stance against the problematic interpretation of the function of art by orthodox Marxists.
