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Documentation created by Stan Vanderbeek of a performance of Variations V by John Cage and the Merce Cunningham Dance Company.
14 de feb. de 2014 · They are variations not variants. Give it a thought and read your question (the specific case) and wonder why. The choice is easy so I am not telling it right away.
Max Mathews designed the mix to control volume, tone, and distribution of sounds among the six speakers in the hall. In 1966, Norddeutscher Rundfunk Hamburg and Sveriges Radio Television produced a 50-minute film-version of Variations V, directed by Arne Arnbom. Dedicatee(s) Mary Sisler: Publication Peters Edition EP 6799
10 de ene. de 2015 · CAGE VARIATIONS V. Topics contemporary music. work by John cage, contemporary music. Addeddate 2015-01-10 10:56:18 Identifier CAGEVARIATIONSV Scanner Internet Archive HTML5 Uploader 1.6.0 . plus-circle Add Review. comment. Reviews There are no reviews yet.
Variations V reflects the experimentation and spirit of the 1960s — a collaborative, interactive multi-media event with choreographed dance, elaborate mobile decor, variable lighting, multiple film projection, and live-electronic music often activated by the dancers’ movements.
Variations VI (1966) is an electro-centric work for as many sound sources and speakers as are chosen to be available, and returns to the transparency method of scoring that Cage left aside in Variations V. Decibel perform this on bass and electric guitar.
First composed and performed in 1965, Variations V is a true testament to 1960's experiments with "intermedia"—a coexistence and cutting across of artistic genres that profoundly informed Cunningham's choreographic practice.
