Resultado de búsqueda
20 de may. de 2024 · Route 66 (Outro) Superstars Radio Network Presents STARZ Live At Municipal Auditorium, Louisville, March 30, 1978 LP Starz Live In Louisville CD (1-10, 16)Starz Live In Actio...
10 de may. de 2024 · July 29, 1978, Plainfield), and Gary (“Mudbone”) Cooper (b. November 24, 1953, Washington, D.C.). The group scored 13 Top Ten rhythm-and-blues and pop hits from 1967 to 1983 (including six number-one rhythm-and-blues hits) under a variety of names, including the Parliaments, Funkadelic, Bootsy’s Rubber Band, and the Brides of ...
5 de may. de 2024 · #basse #funk #bassistik POUR COMMANDER LES CODES DU FUNK:https://www.bassistik-live.com/les-codes-du-funk-bassistikREJOIGNEZ BASSISTIK pour bénéficier d'av...
Staying On The One: Bootsy Collins’ Favourite LPs. Bootsy Collins helped define the sound of funk, working with Parliament and James Brown, who taught him the mysterious concept of The One. In this Bakers Dozen, he talks to Julian Marszalek about those times & why he couldn't leave home without dropping acid and listening to Hendrix.
19 de may. de 2024 · Bootsy Collins setlists - view them, share them, discuss them with other Sirens of Lesbos feat. Bootsy Collins fans for free on setlist.fm! ... Gigs seen live by. Nobody has seen Sirens of Lesbos feat. Bootsy Collins live yet! Last updated: 19 May 2024, 15:19 Etc/UTC. Sirens of Lesbos feat.
17 de may. de 2024 · After being developed by double bassists, players like Larry Graham and Bootsy Collins refined the technique to revolutionise the role of the bass in a rhythm section in the ’60s and ’70s. Bassists such as Marcus Miller, Flea, Victor Wooten and Mark King have been credited for popularising the technique among players further into the ’80s and ’90s.
Hace 6 días · As Frantz revealed in Remain In Lov e, the track’s groove was inspired by Zapp’s More Bounce To The Ounce, released in 1978 and produced by funk legends Roger Troutman and Bootsy Collins. “We loved this song in part because it was played at a slower, funkier tempo by far than so many other dance tracks of the period,” he said.
