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Mobile Safari (1995) Illumination (1997) Singles from Mobile Safari "Yoga" Released: October 1994 "Worlds of Possibility" Released: 1995; Professional ratings; ... Norman Blake – guitar, vocals, percussion; Gerard Love – guitar, vocals; Sarah Ward – flute; Judi Mitchell – cor anglais;
29 de sept. de 2021 · Norman Blake, renowned Grammy award-winning musician, recounts his longstanding history with Martin guitars as we celebrate the 50th anniversary of his first solo album. Norman Blake is on a tone quest.
11 de abr. de 1994 · Guitar, Vocals, Percussion – Norman Blake; Mastered By – Mike Marsh; Painting – Aggi (4) Producer – Paul Chisholm, The Pastels; Recorded By – Paul Chisholm; Saxophone – Maureen McRoberts; Trombone – Luke Williams (2) Trumpet – Darren Ramsay; Viola – Laura Mitchell
Flute – Sarah Ward. French Horn – Dawn Kelly. Guitar – David Keegan, Dean Wareham. Guitar, Drums – Gerard Love. Guitar, Vocals – Stephen Pastel. Guitar, Vocals, Percussion – Norman Blake. Mastered By – Mike Marsh. Producer – The Pastels. Recorded By, Producer – Paul Chisholm. Saxophone – Maureen McRoberts. Trombone – Luke Williams (2)
10 de abr. de 2017 · Norman Blake’s Gear. Guitars • 1907 Maurer • 1928 Martin 00-45 • 1933 Gibson L-Century • 1937 Gibson J-35 • 1938 Martin 000-42 • 1941 Martin 000-21 • 1960s Yamaha FG-160 • 2004 Martin 000-28B Norman Blake Signature Model . Strings and Picks. Blake typically doesn’t use standard string sets, preferring to mix and match gauges depending on the guitar, situation, and his mood.
10 de feb. de 2017 · End of the Road: A Conversation with Norman Blake. By Joseph Terrell. Feb 10, 2017. Few would dispute Norman Blake’s place on the Mount Rushmore of acoustic guitarists. He’s spent 50 years defining a flat-picking style adopted by guitarists from Tony Rice to Dave Rawlings.
Mobile Safari was first full album by The Pastels after they reconvened as the core trio of Stephen Pastel, Aggi (Annabel Wright) and Katrina Mitchell.If there’s some sense of hard-won lessons here, The Pastels aren’t making a big deal of it; instead, their music is newly ambitious and enthusiastic, as though they’ve found a greater sense of purpose.
