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  1. 15 de may. de 2024 · Masters clearly is the real deal as a creator of counterfeit currency as shown in a great sequence beautifully bathed in the right amount of light by cinematographer Robby Muller. We see Masters go through the process of creating the plate to copy the phony bills from, spreading the green inky paste on the printing press and printing ...

  2. en.wikipedia.org › wiki › Wim_WendersWim Wenders - Wikipedia

    Hace 5 días · Much of the distinctive cinematography in his movies is the result of a long-term collaboration with Dutch cinematographer Robby Müller. Wenders ... Shot in 16 mm black-and-white by longtime Wenders collaborator Robby Müller, the movie exhibited many of Wenders's later trademark themes of aimless searching, ...

  3. 6 de may. de 2024 · Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

  4. 4 de may. de 2024 · Main stars Helmut Griem and Brigitte Fossey are very effective, though, and the Seventies-style filming is interesting, with Robby Müllers cinematography and the Frankfurt backdrops both strong assets. Its weird atmosphere and odd style are on its side, as well as its intense examination of the theme of betrayal.

  5. 7 de may. de 2024 · Repo Man’s enjoyably farcical plot involving a rogue car and aliens is beautifully shot by cinematography maestro, Robby Muller. It’s a film that is so unique and distinct that there are few...

  6. 23 de may. de 2024 · Wenders’s films were notable for their lush visual imagery, largely because of the talents of his most frequent collaborator, cinematographer Robby Müller. Wenders’s later work included Lisbon Story (1995), a sequel to The State of Things ; the thriller The End of Violence (1997); the ensemble mystery The Million Dollar Hotel ...

  7. 24 de may. de 2024 · Finally, I was reunited with Robby Müller after a 6 year hiatus, and I could work with Sam Shepard and Ry Cooder, two choices denied by the studio Hammett. I had Claire Denis as my fierce First Assistant, and Harry Dean and Nastassja Kinski, both at their best.