2008
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The final studio recording of the late, great Tony Conrad, and the first duo release with Jennifer Walshe. A wild, improvisatory flaying of song; the sheer sonic force recalls the ecstatic charge of Conrad’s Slapping Pythagoras, with Walshe’s clarion voice at the heart of it.
Tony Conrad & Jennifer Walshe’s ‘In the Merry Month of May’ works as a showcase for two genuine greats improvising with fearless abandon.
Multiple lo-fi drum machine projects and mumbling punks in this month's trip around the Rum Music universe, plus orchestras warming up, a soundtrack to a Japanese staging of Jean Genet's Prisoner of Love, and more. Kopy. Jennifer Lucy Allan Published 11:07am 28 May 2024. Flung out of NZ all the way to me in the big smoke this month was a book ...
Girardet joins Gunning – plus Fritz Lang’s Destiny-machine from the 1920s, and Tony Conrad and the structuralist-materialists of the 1960s to the present day – in calling attention to the rising Faustian invoice that is coming due for our human merger with increasingly nonhuman electrified animation.
The final studio recording of the late, great Tony Conrad, and the first duo release with Jennifer Walshe. A wild, improvisatory flaying of song; the sheer sonic force recalls the ecstatic charge of Conrad’s Slapping Pythagoras, with Walshe’s clarion voice at the heart of it.
In the Merry Month of May is the final studio recording of the late, great Tony Conrad, and the first duo release with Jennifer Walshe, one of Conrad’s most important collaborators in the final decade of his life.
You’ll hear about figures such as La Monte Young, Tony Conrad, and Terry Riley who played a crucial role in shaping the band’s experimental sound.
