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  1. Hace 3 días · Kurt Wagner is a mutant whose primary mutant power is the ability to teleport himself, his clothing, and a certain amount of additional mass from one point to another virtually instantaneously. He does this by displacing himself through an alternate dimension briefly and reappearing in a desired, pre-selected location.

  2. 10 de may. de 2024 · Part of the Process is a short film in which a filmmaker finds himself plagued with these questions as he races to write the next big blockbuster. Experience parodies of scenes from...

  3. One Shot. Logan & Kurt Wagner Friendship. Kurt Wagner would consider himself a fairly appreciative person. Perhaps that instinctual value of appreciation was the reason he felt giddy, warm, so overcome with love for his friend that he could practically feel it bursting out of his chest. “Don’t move ‘round, elf.”.

  4. Kurt Wagner! Fan Art Share Add a Comment. Be the first to comment Nobody's responded to this post yet. Add your thoughts and get the conversation going. Top 1% Rank by size . More posts you may like r/xmen. r/xmen. Welcome ... Commissions: Part Deux! 14.

  5. 15 de may. de 2024 · Up then! To work! Klingsor sees Parsifal at a distance with the aid of his magic mirror. This device is one of few elements in this act that Wagner retained from Wolfram von Eschenbach's Parzival. In the medieval epic, the sorcerer Clinschor had stolen the magic mirror from Queen Secundille in India.

  6. Hace 4 días · One Shot. Logan & Kurt Wagner Friendship. Kurt Wagner would consider himself a fairly appreciative person. Perhaps that instinctual value of appreciation was the reason he felt giddy, warm, so overcome with love for his friend that he could practically feel it bursting out of his chest. “Don’t move ‘round, elf.”.

  7. 9 de may. de 2024 · This Wagner did, and it is well known with what artistry he seized upon a traditional form of suffering and by means of the music identified it with the suffering of his characters. Nevertheless, this defers but does not solve the problem of staging this drama. Left: design for Parsifal act one by Adolphe Appia, ca. 1896.