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7 de may. de 2024 · Established in 1912, by Madeleine Vionnet, the house closed its doors in 1939 at the outbreak of World War II. Often credited with “inventing” the bias cut, although more accurately, Vionnet was the designer that popularised it, it wasn’t until John Galliano came along in the 1990s and rediscovered the technique and revived it ...
21 de may. de 2024 · Perhaps the most successful image to emerge from the series, “Vionnet Dress with Fan,” depicted a 1925 creation by the French couturier Madeleine Vionnet. As Diana Vreeland boldly stated about this couturier in her text accompanying Penn’s published images,
Hace 5 días · Un autre nom incontournable est celui de Madeleine Vionnet, surnommée la “reine de la coupe en biais”. ... Vionnet, à notre sens, a développé une vision de la mode où confort et liberté de mouvement étaient primordiaux, anticipant les tendances actuelles du prêt-à-porter.
Hace 1 día · Madeleine Vionnet Evening Gown 1922 beaded silk Royal Ontario Museum, Toronto: Vionnet's dress manifestly defies physical reality. How can that fragile tube of silk support all those heavy glass beads without puckering or sagging and without throwing all those razor-edged deco squares out of alignment?
15 de may. de 2024 · Madeleine Vionnet. Known for using the cut cross bias method, Madeleine Vionnet used the technique to add a flirtatious and graceful look to the garment. Vionnet took circles, rectangles and triangles and turned them into fluid sculptures using silk crepe Romain, which was her favourite fabric.
12 de may. de 2024 · But nothing beats the drama of a ravaged drop-waist dress from the 1920s – one that leaves a trail of sequins in your wake. Or the old-world glamour of a champagne-hued bias-cut gown from the ’30s. One person who understands this better than anyone is supermodel and undisputed queen of vintage fashion Kate Moss, who chose a ’30s cobweb ...
21 de may. de 2024 · After all, she says in her delicious Belgian drawl, “Madeleine Vionnet invented the bias cut. And what does bias do? It creates stretch in a woven fabric. Women understand the movement of the body; women understand body language in terms of function. In the end, fashion is not art; it’s design. And design is about functionality.”
