1978
Resultado de búsqueda
5 de may. de 2024 · Rock, Pop. Producer. None. The song “Hold On” by Ian Gomm is a heartfelt anthem that resonates with anyone who has experienced heartbreak and the trials of life. Released in 1978 as part of Gomm’s album “Summer Holiday,” the song captures the essence of perseverance and the importance of holding onto what truly matters in life.
Hace 3 días · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...
6 de may. de 2024 · With 1972's Silver Pistol, more of the familiar Brinsley Schwarz sound had developed thanks to the addition of guitarist/vocalist/songwriter Ian Gomm to the line-up. Gomm had answered an ad in Melody Maker placed by the band who were seeking a second guitarist; though Brinsley could overdub guitars in the studio, it was difficult to ...
18 de may. de 2024 · With die-hard fans mobbing Melrose Avenue in Los Angeles on Friday, OGM's Emwell and TooSam captured Ian's impromptu 'VALEDICTORIAN' drive-by performance in our latest Our Generation Music vlog.
6 de may. de 2024 · / Ian Gomm. May 6, 2024 By Joe Marchese 1 Comment. Brinsley Schwarz, the band, may be best-remembered today as the launching pad for singer-songwriter Nick Lowe and as a prime exemplar of the U.K. pub rock scene. The band's studio albums, though, reveal diverse influences and a vibrant sound that more than holds up today.
24 de may. de 2024 · Ian Gomm – Brinsley Schwarz; Mike Pender – Origins of the Searchers and The Search for Myself; The Krewcats 1964-65; The Krewkats 1962-1964; Dennis Dunaway of The Alice Cooper Group; Mark Wirtz; Mike Piggott; Steve Ellis – Time Hasn’t Changed Us; The Army; Hang Loose With The Surfin’ Lungs; Pig Rider; David Wiffen; Davy O’List ...
3 de may. de 2024 · Martin Gordon, bassist for Sparks Kimono My House takes us behind-the-scenes of this classic album. For its 50 anniversary, Martin shares details about the rehearsals, studio sessions, and interactions with the band members and the team involved. He discusses the creative input he had in shaping the basslines and arrangements, as well as the tensions that arose from differing artistic visions.
