Resultado de búsqueda
1 de may. de 2024 · By Ella Joyce | Film+TV | 1 May 2024. Above: Still, ‘Mank’ by David Fincher, 2020. Master of creating imagery that illustrates beyond the narrative, Erik Messerschmidt is an Academy-Award-winning cinematographer and long-time David Fincher collaborator equipped with a captivating photographic eye and razor-sharp instinct.
4 de may. de 2024 · May 1, 2024. Hero. Master of creating imagery that illustrates beyond the narrative, Erik Messerschmidt is an Academy -Award-winning cinematographer and long-time David Fincher collaborator equipped with a captivating photographic eye and razor-sharp instinct.
6 de may. de 2024 · Gracias a ese maravilloso grupo de Directores de Fotografía que nos habéis acompañado y a RED por su apoyo. A Leitz Cine por dejarnos las Elsie, y a Ovide y Drago algunos equipos. It was great to spend a day with Erik Messerschmidt, a privilege. Messerschmidt won an Oscar for Best Cinematography for his brilliant work on “Mank” in 2021.
2 de may. de 2024 · Fotografía: Erik Messerschmidt Edición: Pietro Scalia. Diseño de producción: Maria Djurkovic. Música: Daniel Pemberton. Distribuidora: Diamond Films. Duración: 130 minutos. Apta para mayores de 13 años con reservas. (Esta crítica se publicó en el marco de la cobertura de la Mostra de Venecia 2023)
Eliminated - Road to Perdition (2002), shot by Conrad L. Hall and directed by Sam Mendes - 20.9% of all votes. Road to Perdition won Best Cinematography at the 75th Annual Academy Awards, and received a total of 6 nominations, including nominations for Best Supporting Actor, Best Original Score, and Best Art Direction.
ELIMINATED - Mank (2020), shot by Erik Messerschmidt - 23.7% of all votes. Mank won Best Cinematography at the 93rd Annual Academy Awards, as well as Best Production Design. It received a total of 10 nominations, including nominations for Best Picture, Best Director, Best Actor, and Best Supporting Actress.
Hace 3 días · Not wholly unexpectedly, the art of Ferrari can be found in Mann’s ability to shift between elegant and visceral visual language, through the work of cinematographer Erik Messerschmidt (The ...
