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  1. 2 de may. de 2024 · ACTOS «EN DIRECTO» – En esta charla de la historiadora del arte Federica Palomero se aborda la figura de Chaïm Soutine, nacido en 1893 en la provincia de Minsk (Imperio ruso, actual Bielorusia), en una familia judía ortodoxa muy humilde y muerto en París en 1943. Su carrera estuvo llena de un sinfín de vicisitudes.

  2. Hace 2 días · Chaïm Soutine, artista controcorrente, si racconta a Berna. Mondo - Amedeo Modigliani lo aveva rappresentato in un suo ritratto realizzato dopo il loro primo incontro e che avrebbe aperto la strada a una solida amicizia. Modì e Chaïm Soutine si conobbero dopo che il pittore russo naturalizzato francese lavorò agli scavi delle trincee ...

  3. 9 de may. de 2024 · The monographic exhibition concentrates on the artist’s early masterpieces and focuses on the series that he made between 1919 and 1925.

  4. 7 de may. de 2024 · Chaïm Soutine was impulsive, obsessed with his cause, nothing could divert him from it. Among his own people, through an abuse of exegesis in regard to ancient texts, all images of the world were forbidden; such had always been the case and no one was perturbed by it.

  5. 23 de may. de 2024 · Galería Chaim Soutine (1894-1943) | La 65 obra | Pedir Reproducciones De Arte Chaim Soutine | Pedir Grabados De Calidad Del Museo Chaim Soutine | Expresionismo, expresionismo | Chaim Soutine nacido Jaím Solomónovich Sutín (Хаим Соломонович Сутин en ruso) o Jaím Sutsin (Хаім Суцін en bielorruso ...

  6. 7 de may. de 2024 · from “The Aeronaut”. from “The Aeronaut”. That morning in 1979 when Li Mingqi first showed up at his doorstep, Gao Likuan bristled, and not just at the boy’s outlandish attire — although his bell-bottoms and flashy leather belt certainly didn’t help. Gao had known Mingqi all his life, along with his two younger brothers and six ...

  7. 17 de may. de 2024 · Chaïm Soutine. smilovitch, 1893 - Paris, 1943. 心を病む女 Mad Woman. スーティンの人物画は、他の主題を描いたものと同様、極端なデフォルメと激しい筆触と強烈な色彩対比が特徴だが、それにも拘わらず、人物たちの個性や特徴は、極めて鋭く表現されている。 気の弱そうな若者、陽焼けして赤い顔の農夫、物怖じしない上流の女性、おずおずとした召使い等々。 この《狂女》もまた、大きく見開いて据わった目、引きつった顔面、緊張のゆるまない肩先や両腕、振り乱した髪などが、異様な緊迫感を画面にみなぎらせている。 その印象は、さらに赤い服と荒々しい筆遣いによって引き立てられる。

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