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  1. 2 de jun. de 2024 · Jimmy Lunceford, American big band leader whose rhythmically appealing, well-disciplined orchestra was one of the most influential of the swing era. His band was characterized by a two-beat rhythm and was celebrated for the remarkable precision of its playing on such songs as ‘My Blue Heaven’ and ‘For Dancers Only.’

  2. www.jazz-jazz.com › 2024/06/03 › jimmie-lunceford-margie-1989Jimmie Lunceford - Margie (1989)

    3 de jun. de 2024 · The final recordings of the Jimmie Lunceford Orchestra (prior to its leader's death) are included on this excellent CD. The 13 selections (three sessions from 1946-47) generally avoid the influence of bebop and stick to Lunceford's trademark sound and swing style.

  3. 13 de jun. de 2024 · Откуда: Россия. Jimmie Lunceford - Margie (1946, 1947) 1989, Savoy Jazz. Жанр: Swing, Big Band. Издание: Savoy Jazz - ZDS 1209. Продолжительность: 00:38:06. Кодек: FLAC (tracks+.cue) Битрейт: Lossless. Источник (релизер): fiks22. Страна ...

  4. 6 de jun. de 2024 · Saxophonist and bandleader Jimmy Lunceford was born on this day in 1902. His orchestra combined music and humor and was better known for its ensemble work than soloists. “”Taint What You Do” is from 1939.

  5. 14 de jun. de 2024 · La revuelta campesina, obrera, y mapuche de 1934 en Lonquimay y la Masacre de Ranquil del 6 de Julio. Corría el año 1934, hace sólo 2 años las derechas y la oligarquía chilena habían derrocado a la República Socialista, y gobernaba el país el Presidente Arturo Alessandri Palma.

  6. 13 de jun. de 2024 · Date Posted: Jun 13, 2024. Remote Type: Remote. Apply Now > Job Description. Bilingual Inbound/Outbound Enrollment Advisor. Remote – US. The Opportunity: Anthology offers the largest EdTech ecosystem on a global scale, supporting over 150 million users in 80 countries.

  7. 9 de jun. de 2024 · Some contend that the more-innovative Black bandleaders, such as Ellington, Basie, Chick Webb, or Jimmie Lunceford, should rightfully have been crowned “King of Swing,” but even Goodman’s critics acknowledge that he was perhaps the only white jazz musician to have been the greatest in the world on his instrument.