2010
Resultado de búsqueda
2 de may. de 2024 · Anna Deavere Smith (born September 18, 1950, Baltimore, Maryland, U.S.) is an American playwright, actress, author, journalist, and educator, who is best known for her one-woman plays that examine the social issues behind current events. Smith was raised in a racially segregated middle-class section of Baltimore.
- Martin Sheen
Martin Sheen (born August 3, 1940, Dayton, Ohio, U.S.) is an...
- Laurence Fishburne
Laurence Fishburne (born July 30, 1961, Augusta, Georgia,...
- Martin Sheen
24 de abr. de 2024 · Anna Deavere Smith has spent over four decades as a stalwart of documentary theater, interviewing people across the country and replicating their exact speech and mannerisms onstage in a...
Hace 6 días · 15 min. Anna Deavere Smith is an actress, playwright and professor at New York University’s Tisch School of the Arts. Since 1980, she has been interviewing Americans through her project “On...
Hace 6 días · Last Updated. May 2024. Anna Deavere Smith is an actress, playwright, teacher, and author. She is credited with having created a new form of theater. Smith's work combines the journalistic technique of interviewing her subjects with the art of interpreting their words through performance.
26 de abr. de 2024 · No views 13 minutes ago. [Contents] Actress, playwright and professor Anna Deavere Smith will be the 73rd presenter for the A.W. Mellon lectures in the fine arts at the National Gallery of...
28 de abr. de 2024 · Explore performance as a way of knowing with award-winning actress, playwright, and professor Anna Deavere Smith. This is the first lecture in the four-part series Chasing That Which Is Not Me / Chasing That Which Is Me, the 73rd A. W. Mellon Lectures in the Fine Arts.
26 de abr. de 2024 · April 2024. Split View. Annotate. Cite. Permissions. Share. Abstract. Anna Deavere Smith’s Notes from the Field: Doing Time in Education, performed in 2016 at American Repertory Theater (A.R.T.) in Cambridge, Massachusetts, may have inspired A.R.T.’s Act II “experiment in disrupting the role of spectator as passive observer.”
