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  1. 1 de may. de 2024 · The following year he helmed Side Effects, a thriller in which a woman’s dependency on antidepressants has criminal consequences, and Behind the Candelabra, about a romantic relationship that the entertainer Liberace (Michael Douglas) began with a young man (Damon) in the late 1970s.

  2. Hace 4 días · Side Effects shares a connection with Erin Brockovich as both films are part of Steven Soderbergh's diverse filmography. Soderbergh's skill as a director shines through in Side Effects, much like in Erin Brockovich, as he navigates the complexities of storytelling and character development with precision.

  3. celebchicchannelo.ams3.digitaloceanspaces.com › 2024/05/07 › is-side-effects-basedIs Side Effects Based on a True Story?

    7 de may. de 2024 · Directed by Steven Soderbergh, ‘Side Effects’ is a psychological thriller film that revolves around two people: Dr. Jonathan Banks (), a psychiatrist, and Emily Taylor (Rooney Mara), a young woman who becomes Jonathan’s patient.Emily claims to suffer from depression.After a seemingly failed attempt to take her life, she meets Jonathan and agrees to work with him on her issues.

  4. Hace 6 días · 8. Side Effects (2013) Crafted by Steven Soderbergh, ‘Side Effects’ is a psychological film about a woman’s tryst with an experimental drug that is meant to act as an antidepressant but ends up giving her unintended side effects.

  5. 17 de may. de 2024 · The Knick’s Surgery Room. This week, we were invited to view the New York City set of Cinemax’s The Knick, Steven Soderbergh’s medical drama set in early 1900s.A few months back, we ...

  6. 15 de may. de 2024 · Steven Soderberghs psychological thriller stars Rooney Mara as a woman who experiences severe side effects after taking an experimental antidepressant prescribed by her psychiatrist Dr. Jonathan Banks (Jude Law).

  7. 21 de may. de 2024 · ABSTRACT. This essay argues that Steven Soderbergh’s 2009–2012 films – The Girlfriend Experience (2009), Haywire (2011) and Magic Mike (2012) – form a loose trilogy depicting the plight of the working class (or precariat) during the Great Recession Linking textual analysis to the economic downturn reveals Soderbergh’s significant critique about this period, ultimately causing him to ...