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5 de jun. de 2024 · If Robert Fripp didn't have the initial good standing he had in the industry with his 70s Crimson albums, I don't think we'd be talking about him today. Also, Fripp had the intuition and foresight in his early Crimson days to say "Okay, well that's enough of that", but he also had a personal and artistic crisis that he dealt with ...
5 de jun. de 2024 · Fripp describes his aims for the projects in this time period in articles he wrote in Musician magazine at the time. The albums mentioned in the OP represent works not intended for commercial success; it's a deliberate strategy on his part and he convinced EG to go along with it.
2 de jun. de 2024 · Then in the spring of 1968 they recorded a record with the wacky title The Cheerful Insanity of Giles, Giles and Fripp. It's a definitely unstuffy album - but then, what do you expect from something Fripp co-wrote?
7 de jun. de 2024 · Como en el primer corte, los sintetizadores filtrados por capas de delays vertebran la canción, mientras la guitarra de Fripp campa libremente por encima. La novedosa técnica de Fripp vuelve a protagonizar su intepretación, dotando a la canción de una ensoñadora y etérea atmósfera.
9 de jun. de 2024 · Exposure is guitarist/composer Robert Fripp’s first solo album. Robert Fripp became one of the most important figures in the emerging progressive rock scene in 1969 with In The Court Of The Crimson King, the debut album of King Crimson, the band he founded.
17 de jun. de 2024 · One of the hallmarks of Fripp’s playing, and thus of the Circles’ central philosophy, is tuning to something they call “New Standard Tuning,” an opening tuning that runs, low to high, C2 G2 D3 A3 E4 G4.
17 de jun. de 2024 · Robert Fripp of King Crimson pioneered a looping technique, dubbed Frippertronics, which involves a long tape loop stretched between two tape recorders, allowing for live looping and overdubbing.
