1996
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Hace 4 días · 80/81 is a double album by jazz guitarist Pat Metheny recorded over four days in May 1980 and released on ECM later that year. The trio features rhythm section Charlie Haden and Jack DeJohnette with guest saxophonists Dewey Redman and Michael Brecker .
Hace 3 días · El Juicio (The Judgement) is an album by pianist Keith Jarrett recorded in 1971 and released in 1975. On four days in July and one in August 1971, Jarrett went into the Atlantic Recording Studios with his trio (Charlie Haden and Paul Motian), plus Dewey Redman on tenor saxophone, and produced enough music for three albums: The Mourning of a Star (released in 1971), El Juicio (The Judgement ...
2 de jul. de 2024 · This list features the all time greatest oboists, ranked as the best by music lovers and including musicians like Andy Mackay, Dewey Redman, and Julie Fowlis. Vote up the best oboist below and see where the musicians you think are great rank!
17 de jul. de 2024 · The members of the Old and New Dreams — saxophonist Dewey Redman, bassist Charlie Haden, trumpeter Don Cherry and drummer Ed Blackwell — were all former sidemen in bands led by free-jazz pioneer Ornette Coleman. As their own group, this innovative collective recorded two albums on ECM in the late 1970s.
Hace 5 días · Eddie Jefferson - The Main Man. 2,750円(税込) Takehiko Honda / Gerd Dudek - Flying To The Sky. Takeshi Inomata - The Dialogue. 6,380円(税込) Toshiyuki Miyama & His New Herd + Masahiko Togashi - Canto Of Aries.
Hace 2 días · Indeed, it is in no small part thanks to her arrangements that these tunes are convincingly used as emotionally dense settings for improvisation by many of the leading musicians in the jazz world of the period – including Don Cherry, Michael Mantler, Dewey Redman and Paul Motian, among others.
Hace 3 días · He appeared on Coleman's 1971 LP Science Fiction, and from 1976 to 1987 reunited with Blackwell and Coleman alumni Dewey Redman and Charlie Haden as Old and New Dreams, Old and New Dreams recorded four albums (two for ECM and two for Black Saint) where Cherry's "subtlety of rhythmic expansion and contraction" was noted.
