Resultado de búsqueda
Hace 6 días · Can Live in Aston 1977, the latest in an ongoing series of Can album releases focusing on the band’s live performances, is set for release on vinyl, CD and digitally on 31 May 2024 via Mute and Future Days.
Hace 6 días · This record captures the band’s 1977 performance in Aston and features Schmidt (keyboard & synths), Jaki Liebezeit (drums), Michael Karoli (guitars), Holger Czukay (wave receiver & spec.sounds), plus Rosko Gee (bass), who appears for the first time in the series.
Hace 6 días · In an exclusive extract from his new book, Jaki Liebezeit: Life, Theory and Practice of a Master Drummer, Jono Podmore takes us through the instruments that contributed to the former Can drummer's unique sound and playing style
22 de may. de 2024 · Tracklist: 1. Standing So High (19:31) 2. Bring Me Tea Or Coffee (21:56) 3. I Don't Care (09:10) 4. Mother Sky (11:57) 5. Spoon (10:32) Drums, Percussion – Jaki Liebezeit Electric Bass – Holger Czukay Guitar – Michael Karoli Keyboards – Irmin Schmidt Vocals – Damo Suzuki Live in Berlin, Germany, June 1971.
Hace 6 días · This record captures the band's 1977 performance in Aston and features Schmidt (keyboard & synths), Jaki Liebezeit (drums), Michael Karoli (guitars), Holger Czukay (wave receiver & spec.sounds), plus Rosko Gee (bass), who appears for the first time in the series.
20 de may. de 2024 · Music Reviews: The Oblique Sessions by Pascal Comelade, Pierre Bastien, Jac Berrocal & Jaki Liebezeit released in 1997.
20 de may. de 2024 · “Future Days” is a song by the influential German rock band Can, known for their experimental and innovative sound. Released in August 1973 as part of their album “Anthology 1968-1993 (25 Years)”, the song is an instrumental piece with dreamy and atmospheric elements that captivate the listeners.
