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  1. 16 de may. de 2024 · In keeping with a growing tradition of contemporary Argentinian cinema’s unorthodox narrative structures, editor Hernán Rosselli adds to this offbeat wave with his sophomore narrative feature, Something Old, Something New, Something Borrowed (Algo viejo, algo nuevo, algo prestado).

  2. 17 de may. de 2024 · Una de las cosas más fascinantes de las muchas que ofrece la película argentina Something Old, Something New, Something Borrowed es su casi inagotable capacidad narrativa: no solo por las tantísimas cosas que se van contando (en apenas 100 minutos), sino sobre todo por el inteligente mecanismo a través del cual se va desenvolviendo un puzle de múltiples registros, personajes, acciones y ...

  3. 19 de may. de 2024 · Daniel Allen. May 19, 2024. Lines between reality and fiction are blurred in Hernán Rosselli’s fascinating Something Old, Something New, Something Borrowed. Director: Hernán Rosselli. Genre: Drama. Run Time: 100′. Cannes Premiere: May 16, 2024. Release Date: TBA. A working-class suburb in Buenos Aires.

  4. 23 de may. de 2024 · This mixture of local criminal noir with bereavement not only creates a fascinating and profound story of a crime family coping with the death of their father and leader, but also upends cinematic boundaries between fiction and documentary.

  5. 16 de may. de 2024 · by Olivia Popp. 16/05/2024 - CANNES 2024: Hernán Rosselli presents a hypnotic and technically inventive tale of memory, family secrets, and what lies between the lines in contemporary Buenos Aires. Maribel Felpeto in Something Old, Something New, Something Borrowed.

  6. 16 de may. de 2024 · by Hernán Rosselli. synopsis. A working-class family in Buenos Aires runs an underground sports betting operation, which becomes matriarchal after the father's death. Cineuropa - the best of european cinema.

  7. 16 de may. de 2024 · Argentina/Portugal. 2024. 100mins. The fallout of running a clandestine gambling business on a Buenos Aires family is explored to compelling and intense effect in Hernan Rosselli’s second feature,...