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  1. en.wikipedia.org › wiki › Lou_ReedLou Reed - Wikipedia

    Hace 5 días · After Legendary Hearts (1983) and New Sensations (1984), Reed was sufficiently reestablished as a public figure to become a spokesman for Honda scooters. [88] In the early 1980s, Reed worked with guitarists including Chuck Hammer on Growing Up in Public, and Robert Quine on The Blue Mask and Legendary Hearts .

  2. Hace 6 días · Premier Guitar editors Jason Shadrick and Nick Millevoi are arguing over which 100 guitarists you should know. Together, they dig deep into each player’s catalog to uncover what makes them unique, influential, and important. Will Robert Quine make the list? Probably not. Trey Anastasio? Definitely.…

  3. discussion. We know Quine famously recorded the Velvet Underground live when they played in California, and that he also recorded some of his pre voidoid strivings, which he showed Richard Hell as mentioned in Please Kill Me. It would seem odd that he never recorded some of the Voidoids live shows at the height of their magic.

  4. 30 de abr. de 2024 · La tesis de Quine-Duhem: Implicaciones filosóficas: Respuestas y enfoques: Ejemplos científicos: Aplicaciones prácticas: Conclusión: Marcos de pensamiento conectado

  5. 10 de may. de 2024 · Reed’s solo career, unlike the Velvet Underground, featured virtuoso guitarists such as Hunter and Robert Quine. In Reed’s other solo albums, there’s plenty of melody and non-monotony,...

  6. Hace 1 día · MAY 31 // John Bonham, drummer for Led Zeppelin, was born in Redditch, England (1948) • Canadian singer Corey Hart, best known for his hit “Sunglasses at Night” was born in Montreal (1962) • MC Darryl 'DMC' McDaniels of Run-D.M.C. was born in NYC (1964) • Guitarist Robert Quine who worked with Richard Hell And The Voidoids, Lou Reed, Brian Eno, Lloyd Cole, Tom Waits, and They Might ...

  7. 15 de may. de 2024 · At the onset of the 1980s, Reed recruited his finest post-Velvets band, including guitarist Robert Quine and bassist Fernando Saunders, and reimmersed himself in raw guitar rock on The Blue Mask (1982), addressing his fears, ghosts, and joys with riveting frankness.