Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 29 de abr. de 2024 · Rothko Chapel, the musical piece composed by Feldman, was specifically created to be performed within the chapel’s serene and introspective atmosphere. The composition features a blend of viola, percussion, and chorus, evoking a sense of meditative transcendence.

  2. 4 de may. de 2024 · One of the most exciting ensembles of the contemporary scene presents at FOG a performance that stands out among all kinds of concerts. II String Quartet by Morton Feldman, composed in 1983, is an iconic piece of contemporary music, a challenge for the listener but even more so for the musician.

  3. Hace 2 días · Beyond the similarities in their life journeys (child prodigy, weighty father figure, touring Europe in youth), the founding concepts of their languages create their ... such as Morton Feldman and his legendary Rothko ... oboe, viola, cello and harp K.617. Rebecca Saunders Albescere for 12 instruments and 5 voices (2001) ...

  4. Hace 3 días · terça-feira, 21 de maio de 2024. Morton Feldman ‎- Rothko Chapel / Why Patterns? (1991)

  5. 6 de may. de 2024 · Violinist David Harrington on which 10 moments he cherished most with his quartet colleagues. I. Veda Reynolds came to many of Kronos’ concerts in Paris. I am so fortunate to have had Veda as my teacher for thirty years. She was the kindest, most thorough teacher imaginable. Toward the end of her life, she brought her binoculars to our concerts.

  6. 2 de may. de 2024 · Morton Feldman: Christian Wolff In Cambridge A1 - Pauline Oliveros: Sound Patterns A2 - Alvin Lucier: North American Time Capsule 1967 A3 - John Cage: Solos For Voice 2 B1 - Robert Ashley: She Was A Visitor B2 - Toshi Ichiyanagi: Extended Voices B3 - Morton Feldman: Chorus And Instruments (II) B4 - Morton Feldman: Christian Wolff In Cambridge Brandeis University Chamber Chorus Conductor ...

  7. 7 de may. de 2024 · Colours shifted from bright orange to sterile white. This was the clever set-up, designed by Lewis Howell, in which the musicians of Manchester Collective and Sansara choir presented a programme of music from the past 60-odd years, including three new commissions inspired by the afternoon’s lynchpin – Morton Feldman’s Rothko Chapel.