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14 de may. de 2024 · Morton FELDMAN. Neither Opéra en un acte pour soprano et orchestre sur un texte de Samuel Beckett. Créé à Rome le 10 juin 1977. Chorégraphie, Martin Schläpfer Vidéo, décors et costumes, Rosalie Eclairages, Volker Weinhart . Soprano, Marlene Mild. Düsseldorf Symphoniker Direction musicale, Dante Anzolini. Opernhaus ...
Hace 2 días · Morton Feldman - Projection Ifor cello soloI do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If t...
2 de may. de 2024 · about. A1 - Pauline Oliveros: Sound Patterns. A2 - Alvin Lucier: North American Time Capsule 1967. A3 - John Cage: Solos For Voice 2. B1 - Robert Ashley: She Was A Visitor. B2 - Toshi Ichiyanagi: Extended Voices. B3 - Morton Feldman: Chorus And Instruments (II)
Morton Feldman, "For Philip Guston", 4 hours 48 minutes (approx.) I have a version, but it’s split into tracks ... Some have said the Hat Hut version is rushed, and that the Mode version more accurately reflects Feldman's vision. I prefer the "blistering pace" of the former. Doors open at 7 PM and you're out the door before midnight (no ...
Hace 2 días · SLT 002CD. $14.00 NOT IN STOCK. Saltern returns with a gorgeous new recording of Morton Feldman's Clarinet and String Quartet (1983) performed by Anthony Burr (clarinet), Graeme Jennings (violin), Gascia Ouzounian (violin), Che-Yen Chen (viola) and Charles Curtis (cello).
19 de may. de 2024 · Sunday, May 19, 2024 feature, Interview No comments. To wrap up our celebration of Clean Feed, we reached out to Travassos, designer of Clean Feed's covers, curator of sister label Shhpuma, and electronic musician to tell us about his work and influences. Album cover images were drawn from the rich collection on Shhpuma's Bandcamp site.
4 de may. de 2024 · One of the most exciting ensembles of the contemporary scene presents at FOG a performance that stands out among all kinds of concerts. II String Quartet by Morton Feldman, composed in 1983, is an iconic piece of contemporary music, a challenge for the listener but even more so for the musician.
