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  1. 27 de abr. de 2024 · Vibraphonist Bobby Hutcherson stood at the centre of the new jazz in the 1960s, recording seminal albums with Eric Dolphy, Archie Shepp, and Andrew Hill. Hutcherson’s Blue Note albums from the 1960s reads something like a who’s who of modern jazz as they feature sidemen like pianists Herbie Hancock, McCoy Tyner, and Chick Corea.

  2. The future of jazz has always been shaped by young jazz musicians seeking new modes of expression. Check out these modern jazz artists!

  3. 24 de abr. de 2024 · Artist: Geri Allen, Dave Holland, Jack DeJohnette Title: The Life Of A Song Year Of Release: 2004 Label: Telarc International Genre: Jazz Quality: FLAC (tracks) 24bit/44.1kHz Total Time: 01:04:56 Total Size: 788.4 MB WebSite: Album Preview

  4. 2 de may. de 2024 · The album’s leadoff track, “ Agora ” is one of the loveliest pieces, exuding a sense of bliss and liberation in a full-of-life, tropicalia-infused fusion with guitar and marimba at the center. In their support, there’s delightful synth effects, funky bass groove, and a magnetic syncopated rhythm. The following cuts, “ Fifty-Five ...

  5. 14 de may. de 2024 · Let it be stated – no shouted from the highest mountain top – that the root source of piano virtuoso Kevin Toney’s dynamic musical artistry has ALWAYS been hardcore straight-ahead Jazz As an A+ disciple of the Art Tatum’s, Oscar Peterson’s, McCoy Tyner’s, Errol Garner’s, and Herbie Hancock’s of the idiom (as well as Detroit-born schoolmate of Geri Allen), Kevin Toney began his ...

  6. Jazzwise, the UK's biggest selling jazz monthly and the leading English language jazz magazine in Europe, has changed the way jazz magazines look and think with a stunning editorial and design package that reaches out to both the new jazz audience and established fans – qualities that have led to it winning Jazz Publication of the Year at both the Parliamentary Jazz Awards and the Ronnie ...

  7. 13 de may. de 2024 · When James Bond came along in 1962, Barry's arrangement of the Bond Theme incorporated elements of jazz and also a decidedly dramatic sensibility, especially in that now iconic bass line. The early Bond scores were a unique blend of pop, jazz and traditional orchestral sounds, and the similarly tongue-in-cheek approach to the material.