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  1. 8 de may. de 2024 · Phil Spector Late Rarities In Stereo (CD) (US IMPORT) Another great item from Rarewaves USA | Free delivery! rarewaves-united. (364688) BusinessRegistered as business seller. 98.4% positive. Seller's other itemsSeller's other items. Contact seller. £33.17. Condition: New. Buy it now. Add to basket. Watch this item. Breathe easy. Returns accepted.

  2. Producer Phil Spector, ... Wilson heard it in late 1965, and later described it in his autobiography, ... Stereo wasn’t yet the norm in home audio.

  3. Hace 1 día · Phil Spector’s ‘Wall of Sound’ style of production had a profound impact on Brian, who fixated on Be My Baby by The Ronettes, recorded with legendary session outfit The Wrecking Crew. It fuelled Brian’s desire to produce, and the Beach Boys’ Don’t Worry Baby was his response – a major turning point as he too started to use the studio to build multi-layered recordings.

  4. Hace 4 días · Consists of rarities, alternate versions, and out-takes, spanning 1988 to 1995 Mishmoshi-Moshi ... "The Hour Grows Late" "Tom Courtenay" Electr-O-Pura (1995) Camp Yo La Tengo CD EP (1995) ... Phil Spector, Jeff Barry, Ellie Greenwich "Hey Ya!" Andre 3000 "Heart of Darkness" Pere Ubu

  5. Hace 4 días · Background and composition Phil Spector in 1965. In 1964, music producer Phil Spector conducted the band at a show in San Francisco where the Righteous Brothers was also appearing, and he was impressed enough with the duo to want them to record for his own label, Philles Records. All the songs previously produced by Spector for Philles Records featured African-American singers, and the ...

  6. 9 de may. de 2024 · A los 21 años Spector era copropietario de Philles Records, un sello que no paraba de encontrar sucesos musicales. Pero también, como puede verse en el documental La agonía y el éxtasis de Phil Spector, producido por la británica BBC, ya en esos tiempos, el productor tenía cierta predilección por mostrarse rudo con las mujeres.

  7. Hace 4 días · Phil Spector, American record producer of the 1960s, described by writer Tom Wolfe as the ‘First Tycoon of Teen.’. He used orchestral arrangements of immense scale and power in what became known as the wall of sound. In 2009 he was sentenced to 19 years in prison for the murder of an actress.